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Author Archives: Oscar Bermeo
more nats
More Nats (to be continued)
after the slammaster slam i took the train back to the hotel. man, theose
chicago trains are fuckin loud! i tried to have a talk with rusty, a fellow
slammaster who taught the beginning performance workshop. tried is the
optimum word as there was one stretch that i didnt even attempt to speak
over the drone of the cta.
miraculously, i got up in time for the next morning’s slammaster meeting at
10 am. i was starving and still had no voice but made it anyways. let’s
calrify the title slammaster, for the nps– it is the person that handles
the paperwork that is necessary to compete in nationals. thats it. no
extra mojo what so ever unless you try really hard to flex but in these here
parts, thats kinda hard to do.
the meeting went well with a few things nailed down. full minutes of the
meeting (which i havent checked yet) can be found on the poetry_slam
listserve. the biggest debaye was between going with a point system (where
a certified venue has to accrue points based upon a system not yet revised
by psi) verus going with a regional system (only X number of venues per
region allowed to compete) to determine which teams compete at nats. i
voted for the point system since 13 does a ton of pro-bono work which would
pull us up there point wise. i didnt take any notes so i cant really recall
everything else that went down. oh yeah, we also heard proposals from
cities vyeing for nps2006 and gave the iWPS (dont ask) to worcester in 2005.
greenville had it this year and they also gave us an update on whats going
on. most people kept their slam dribble to a minimum with the exception of
one but again every cherry has a pit!
we were supposed to be over by 1pm but ran over time which led me to getting
to the asian american showcase late. i hurried upstairs (thank god it was
just a flight up or i may have left the damn thing early) to find most of
the nyc entourage already seated and listening to the poetry already in
progress. not only was the poetry dope with the only pit being this girl
dissing what she called the wanna.be.latino.team (huh? who she talking
about? later i find out that some team did what they thought was a praise
to latinos but some, including danny solis, took as offensive. thats the
problem with satire– if its not written EXTREMELY well, people will flip on
ya) but otherwise the poetry was off the meat rack and the energy in the
room was bananas. the host was awesome as she only read the persons name
and city of origin while occasionaly amping the crowd with a quick call &
response. my main concern was that i missed omar… no worries as omar got
called pretty late. he dropped his ‘the only good war america has ever
fought is against eurpoeans… so lets kill some more whities!’ piece. i
love that poem. also getting the asian-am spotlight were roberto ascalon,
lisa ascalon and our new homey, jerome. who was the last name chosen out
the hat.
from there it was a quick stroll downstair and the latino open mic! i was
all set to do ‘oda para leticia’ until i found out that ray brought the 505.
he really wanted me to do ‘mercy on the battelfield’ but i had already
dropped it at the sm slam and had done it at last year’s latino mic. next X
factor, shaggy flores asks us to keep the piece down to 2 minutes. now i
dont know if that was his way of saying 3 minutes, cuz when you tell poets 3
minutes they do 5, but that was kinda crazy since mostly everyone was a slam
poet and thus were full of three minute poems. ok, i adjust (since shaggy
keeps making it a point to tell everyone 2 minutes over & over again) and
decide to do the all espanol version of ‘motb’ which times in at 1 minute.
add a cute intro, some space for rays music and a lil ad lib to total 2
minutes. cool. shaggy is worried that there are so many sign ups and so
lil time so he declares that the mic will continue acrosss the street at the
park should we get kicked out. huh? the rules are the same for every one
and we arnt getting kicked out as much as we have to let the next open mic
(poets against the war) get their share of time. the bottom line is that
shaggy wasted crazy time laying down the rules of the open mic (i have the
list! i have the list!), emphasising the time limit (2 minutes!) and
reminding us about the park.
the mic gets going and shaggy sets it off with a plug to an artist
displaying his wares on stage (nice stuff) and plugging the two conga
players he got and then did his intro poem which clocked in at… 3:45. not
sayin just sayin. co-host danny solis also hits the mic and we’re off!
fish & rich are among the early readers since they signed up online a few
days in advance. fish hits the condensed version of ‘soy del bronx’ (2
minutes!) and rich does ‘noche buena’ with ray on music. i’m still tired so
i’m not keeping up with notes but do recall ottawa’s own hatian sensation,
oni hitting a piece for celia cruz, anthony flores droppin his ode to poetic
weed, amalia ortiz giving voice to the woman of mexico, ray medina
absolutely nailing ‘strictly poetic’, ed garcia having the crowd in his hand
with his ‘green-go!’ poem, robert karimi becoming one of my new favorites
and ariana ramirez’ amazing ode to celia cruz. big note– this poem was
done entirely in spanish but ariana still made it a point to apologize that
its all esanol… in the latino open mic! damn, we are severly fuckin
programmed on only one channel. my response to her prolouge.. ‘fuck dat!
let em learn the language!’) and my last memory– ken rodriguez of burque
giving up his spot to this 17 year old poet who rocked it out with a chunky
latino identity piece.. “shit! you hungry!” becomes an instant classic.
omar and a load of asian-am peeps showed us back some love which turned both
event into one of the best memories of nps2003. oh yeah, the mic ran a bit
long and shaggy came through with his promise to take it across to the park.
note to self– if you ever host a showcase at nats, follow the asian-am
example.
given the choice between the park reading and food… well, food wins! as
we hit this great mexican spot. team nuyo is chilling there as we arrive en
masse again, full of glow from the two open mics. omar also has a choice to
make, compete in the fifth wheel slam (another term for team alternates) or
eat. being that omar already did the fifth wheel in 2001 and he loves to
munch: the choice is clear. the food was great and the convo even better
as we are all looking forward to the semi-final bouts. 13 faces los feliz,
seattle (tough team) and la (again). the nuyo & urbana face off against
each other as well as new orleans and denver– meaning that only one of
those teams can make it to finals.
the night is planned, arrive early to the note for the group piece showcase
and to get good seats for 13s semi bout.
the group piece showcase was another highlight of nps.
“Got fuel to burn, got roads to drive.â€
so let’s take a break from the nats report and come back to the big bad city.
the team’s return from nats will be a whole separate entry since i need to get through with how they did in chi-town before i can really look back at the welcome back show last monday.
that brings us, in the weird ‘pulp fiction’ turn this blog has taken, to the acentos welcome back show. not a good start as i was working with ed garcia & maria on my resume all afternoon and didnt get to the blue ox until about 7:48. just in time to see fish start addressing the crowd. being underground and constantly hopping from one train to another kept me from being able to give fish a call to let him know i was close by. then fish informs me that anacaona, our feature, is sick; she’s here but feelin like crap. you got love the trial and tribulations– add that i aint exactly in the best of moods, for a variety of reasons, and this could spell trouble.
except for the fact that hosting has really become second nature now which surprises the shit out of me. some of those early synonymUS shows. a college gig, and a teen slam had me feelin like marc smith up there but acentos has gotten me into a nice flow almost to the point where i wouldnt mind tackling a monday hosting gig… almost! (actually, my one co-hosting gig at 13 went pretty well but thats a whole ‘nother thesis (c)t’ai)
the open mic, which is all we had at that point, went smooth as all tomorrow. the regulars are developing at a great pace with no one retreating to bad habits. darwinism is in effect, as some are ahead of others on the curve but no one is lagging. one of the nice surprises that i got to see when i arrived was also a large number of ladies in the crowd… with that in mind and the fact that i love to run a joke for the night, i redubbed the night ACENTAS!
let some ladies go twice to fill the normal hour and a half show that we provide and everything worked to perfection.
!big shout out! ana was wrecked to the point where she shouldnt have even been out of her house, much less showing up to a reading in the bronx but, sure enough, here she was up in the blue ox. she dropped one piece in the middle of the open mic when she couldnt last any longer (i was trying to sneak her in at the very end so that everyone could give her a huge applause for her efforts) after apologizing for not being able to give it her all, she proceeded to drop a wonderful introspective piece on the state of this country’s democratic process. the piece was dope, a refreshing change to her normal high powered delivery but the most amazing thing was that she was holding on to the mic stand for dear life. not in that i.am.so.fucking.nervous way but actually using it as a prop to help her keep her balance! what!?!
after she finished i had to make mention that i have just seen a performer give her all… 100% the math nerd in me hated when people say that they are giving 110 or 120 percent, i wish people would just say the truth sometimes
‘pardon me, i’m tired and i want to get home to fuck and as such i only gave you 83% of what i have available so’s to save the rest for my other activities. peace!’
back to ana and her 100% effort– she gave us all she had for sure and it was plenty to not only light up the crowd but to also cement in me the opinion that ana can go really far in this game and make a solid impact not only for herself but for latinos and powerful women. mark m’ words.
tight poems by nina, the returning betty leon (who dropped an awesome poem), mali, lilah, melissa helped make ACENTAS a success and, who knows, i may have to bust that name out of the cobwebs to help promote a woman centric night.
the fellas were in the house as well but more on that when you read the acentos announcements.
louis reyes rivera is next up to bat on the acentos stage– dont miss it.
National Poetry Slam Report (Thur) part2
prelim nite 2- 7:00 pm at the subterranean (upstairs)
alaska vs the ozarks vs nyc|union square
so what does the 1 ranks mean? if you win your bout you get a 1 rank, second- a 2 rank, third- a 3 rank. the road to semi-finals is led by those that after two nights of bouts have a combined 2 rank (meaning you won both your prelim matches) one of the fears of going to the three team 21 bout formula was that there would be more than 16 (the number of teams that go into semi-finals) teams with a 2 rank. that fear went down south as a whole bunch of 1 ranks met up against each other in the second night of bouts. 13 did not have that problem, they faced a 2 and 3 in the second night.
lynne was nervous as hell before the match. nothing new for ms procope and its pretty easy to remedy. go the fuck outside! which we did (last year the same thing happened) after getting by some well wishers, we hit a clothes store for minute and the look through different fabrics and shoes was enough to get lynne’s mind off of the slam for a minute.
the sac was marcell murphy of texas who dropped a pretty nuyo-esque piece about a black kid in the projects during 9/11.
rog goes with the same rotation as the night before since 13 again drew the C slot. alaska started off with a pretty typical ‘i am’ poem that morphed into a ‘how do i win a slam’ piece that dissed a whole bunch of muthafuckas including taylor mali(!) considering that taylor would eat this dude up with a lovely merlot, the poem fell flat on my ears (25.9) russ from the ozarks came back with ‘mama said there’d be days like this’ a pretty cool piece that the judges weren’t vibe-ing with (24.5) and here comes marty! ‘call me beautiful’ won the judges over and 13 jumps to the lead again.
‘a word is a weapon’ but not in the ozarks hands as they get a 24.4 which puts them REALLY back when t’ai reveals she was ‘lured here under false pretenses’ by ‘english traders, portuguese conquistadors & senegalese kings’ she just gets more relaxed and stronger as the tournament goes on. her 26.8 zooms union square past the ozarks and alaska when christy hits a very loud fairy tale poem (and a 1 point time penalty) for a 23.7
things look well in hand until rog drops his two-week old south africa poem. kudos to rog for hitting nats with a really fresh, raw, new piece that has NOT been slam tested but he attempts to do it from memory and stumbles twice(!) and dashes any hope of indy glory with a 25.2. no worries, as alaska’s jeremy rachel’s “silent and eloquent” poem (25.2) and doug shields anti-love poem (23.4) can not capitalize on the opportunity to jump ahead.
our luck of storm poets doesnt change as ruben errrr jibreel sings through a love poem that the judges seem to dig (26.7)
though a low scoring bout, union square has a 3.7 lead on alaska as, again, the third place team falls to the dust
alaska’s corrina delgado reminds us (as we have been reminded often in slam) that the revolution will not be televised. side note– i approached ms delgado earlier to see if she might be acentos material but, alas, she is only a delgado by marriage despite her fordham road/webster ave accent. end side note. the judges havent gotten out much lately as they rewarded ms delagdo with a 28.5 (the high score of the night) i wouldnt be so rough but she did say it at least three times and it may have just been the nyc entourage but i know i heard a groan by the time she hit the trifecta
scott of the ozarks makes a run for it with his call to dance but the 26.3 is a nickel short and a dollar late.
rinse, lather, repeat– here comes lynne that only needs a 24.9 to seal the deal which leads to the most in.yo.mutha.lovin.fucka.face version of ‘flectere’ that i have ever done heard. much like ‘trent lott’ the night before, this is the poem i have heard more than a dozen times as it was part of ‘impossible home’ (the louderPLAY we did earlier in the year) and i heard it a dozen times in the course of two weeks in april. i know ‘bend… dont break’ or so i thought as lynne went {stuart scott espn voice: on}
congrats all around and what to do for the rest of the evening? well, i decided to head to the filter and get an early seat for nuyo’s 10 pm bout. i believe the team was a bit slammed out as they headed for some eats and a bunch of the peeps accompanied them. maria kept me company as we found the filter (a more down homey version of starbucks) was jam packed for the miami vs boston/cantab vs boise bout. no place to sit as all the coaches and tables were all taken up. this would be the only bout that i didnt take good notes for as i was too busy plotting on getting a seat, hangin outside with the nuyo squad complete with pepe the bartender(!)
real quick thoughts on the 8:00 pm bout– dianne from miami (ed’s old open mic partner) was pretty damn good otherwise i got no lasting impression from the bout other than the fact that the energy in the room was really high and there was suv-sized dudes by the front shouting 10 for miami’s urban rhetoric right in some judge’s face.
cristin and ed were the first to get a seat and it took fish and lenny forever to get into the spot as i had to call them to let them know that we had a seat for them (which we almost lost as the ultra strict bout manager wanted to give them to somebody else when maria saved the day with her quick thinking ‘people are sitting here, they just went to the bathroom’ whew!) shawn randall (oh, urbana also won their bout) had to sit on a lamp desk as rich completed the rather tight fitting couch that had an awesome view to the stage. this bout was starting to feel like madison square garden meets the octagon during wrestlemania on super bowl sunday… inTENSE!
prelim nite 2- 10:00 pm at filter
hollywood vs vancouver vs nyc|nuyorican
all these teams have a 1 rank and vancouver is coming off an oft mentioned match against san.fran/berkley the night before that had s/b’s 114.2 fall short to van’s 114.8! are you ready to rumble?!
chicago’s katherine zwick jerks the curtain as the sac and rocks the house with a piece about her mom. the judges give that a 27.8 and we are off and runnin’
hollywood starts with a group piece and send up a white poet who introduces himself as mr black and a black poet who introduces himself as mr white. what could have gone down the road of cliche and obvious turns out damn good as they both express what it means to live behind the color line and (what it made it good for me) how those perceptions can be changed. a 29.8 gives the other teams alot to shoot for.
as they did in nyc, the nuyo leads off with carlos gomez who drops an incredible version of ‘what are words worth’ definitely one of his stronger pieces and his voice was able to carry the conviction the piece requires. 29.7 says the nuyo is in the hunt.
here comes vancouver, famous for their group pieces, with their return salvo. barbara adler & shane back up c r avery, backing himself up with beat box. c r is always a strange one since his multiple talents can overshadow his poetry and leaves him vulnerable to just being judged on his showmanship which can be erratic. the judges drop a 28.8 which, for any other bout, would be great but in this bout leaves the canucks a full point behind. c r’s poem was strong exploring the different plights of persecuted black men.
round two starts with the nuyo and kanaya steps up with “young, gifted & black” kanaya flips the role of thug and declares himself, with all the loot, cars and land, the true thug by the end of the poem. this piece is just manipulative and condescending on a couple of levels for me especially with his jay-z inspired warning of jail rape (29.7).
barbara adler from vancouver goes in the completely opposite direction and her ‘brothers grimm’ poem about the (un)fairy tale that was and is the holocaust is just amazing. to begin, she had the fastest clearest delivery i have heard the whole night (big emphasis on clear as i heard EVERY word) and her imagery was stark and real without ever crossing the line of true sincerity. the 29.7 gives team van some hope in this race.
shihan comes in for the wood and drops a cute love poem. sincere, funny and excellently performed. shihan has that whole pick.me.up.and.take.me.home look & delivery, all adding to a 29.7 that keeps hollywood in front
vancouver brings a group piece headed by r c weslowski. van has the multi-voice down pat, that fo sure, as the poetry and back up vocals all mesh smoothly. the plea to ‘keep the love going’ gets a 29.1 which may be a bit high since r c didn’t have the right energy for the piece but the jusges know what theyre doin’, right?
hollywood counters with an incredibly well choreagraphed group piece that involves two members on stage and two off. the two on are our night’s news anchors as they (purposefully) badly lip synch the news the other are providing. funny as all hell, well performed and mocks the cookie cutter reports we receive every evening at 6 gets the nights first 30 (hell, thats the first 30 ive seen all nps)
jive poetic has a tough hill to climb but his AIDS cautionary tale lands another 30! here is where score creep drives me up a wall. jive’s piece is cool (though it begins misogynistic as hell and the pay off only works once, for me) but compared to barbara adler’s piece is a clear second but we all know how slam works and if barbara had been in this round she probably would got a 31
storm poet marc masilansky gets a 28.4 which is an awesome score (storm wise) but i am not even payin attention as i try to figure out these scores.
vancouver… 87.6/nuyo… 89.4/hollywood… 89.5
omari the wise o (fo real, y’all) sets it off for hollywood and his p.i.m.p. piece is really not that good but he nails the performance and thats enough for a 30 and a guaranteed first place for hollywood
the shane remains undaunted and responds with his classic (from at least 2000) “rise and shine” piece. old as it may be it still rocks and shane is hittin all cylinders for a, what else(?), 30!
julian finishes off the night with his nigga piece. its really an anti-nigga poem but the effect is lost a bit with the over use of the word but its all about the conviction and sincerity and julian has all that plus an incredible cadence and rhythm. a 30 means nuyo gets second but i give julian all his props for still bringing his best game to the table regardless of the out come.
lets see– we have vancouver with a 117.6, nuyo with a 119.4 and hollywood taking it witha 119.5. when you think that a perfect team slam score is 120 then you can figure out how crazy this night was. the teams were all amped, the crowd was frenzied and the judges were lost in the melee. energy wise this bout was one of the most intense i have EVER seen… anywhere.
but the nights not over as we still have the slammaster slam which i was not missing out. the subterranean was jam packed from the previous bout taking us almost 10 minutes to get in only to see a gaggle of slammasters waiting to sign up for the slam.
nick fox and bill macmillan, our hosts, announce that its going to be a random draw to get in as many slammasters as they can before the venue shuts down at 1am. not only am i hella tired but i also find that i have NO voice at this point. all the screaming at other bouts (plus a ton of smoking) has caught up to me but i am sure i can pull this bad boy out.
ray, seve, omar, ed, maria, fish, lenny and rich are all cheering me on. where is the team? not a clue. the line to get into the sub is still long enough to deter people. let’s just say it– it woulda been nice if they were there but i wasnt slammin for them so in the final equation it didnt matter except to fuel me to do really well so that i can have a good story to drop on em. mostly, i want to make a mark with the national crowd cuz the sad truth is you aint shit in these parts if you cant slam. a victory here will rise my stock to the point that i can drop some opinions on the sm listserve and get minimal slack for any unpopular viewpoints. its late as hell and i have no idea when, or if, i get to go on stage. what to do? hang with ed, seve, omar and roberto (from team seattle) and play hatah. we gig on everything and anything we’ve heard at nats. rich joins the fun and i’m feeling MUCH better until it starts getting REALLY late. ray is asleep, seve breaks out and fish & lenny are set to join him. i cant blame any of them, every time they call a name i just want it to be me so as to get this over with. we could be having fun somewhere else instead of being stuck here– and its ME saying this!
“next to the mic, and our last slammer of the evening… oscar bermeo of nyc|union square!” whew! just as fish and lenny were about to be out.
with little to no voice i give em ‘mercy on the battlefield’ the vocals is shit but the moves are there with a slight new twist to the poem enough to get me a 9.2/9.8/9.8 for a 29.8! yeah, score creep!
this puts me into a tie for second and since only the top two go at it in the last round, nick & bill decide that its a three way race. after some coin tossing and quick math its decided that i go first in the second round… back on stage with ‘ceviche’ which earns me my first ever hiss for the ‘remove excess clothing’ line (i believe it comes from chi-town’s own lucy anderton to which i say… “all right, the feminist HISS! i am a legit poet in chicago!”)
going first gets me a lower score than the other combatants (boo, score creep!) but its all good. after another tie breaker, boston’s micheal brown (excellent soft well paced verse) comes second to pittsburgh’s dj brewer (fast hip-hop driven delivery) and i get the third spot. mission accomplished, baby.
leaving the sub is like leaving a hollywood premeire as mad poets ask me where they can get ceviche… GOOD ceviche or start busting out their own seven step moves. all love, all good and just in time for tomorrow’s slammaster’s meeting at (what!?!) 10am. oh lord, i’m off to sleep. end a very long day.