Review: Luis H. Valadez, what i’m on (University of Arizona Press, 2009)

My review of Luis H. Valadez’s what i’m on is live at the Latin American Review of Books.

Valadez’s speaker continues to wrestle between the details of his life against the decisions forced upon him. The modern urban environment is filled with similar stories but Valadez’s poems rise above these common tropes with bold leaps into experimental and fractured narratives that look to bring together the disparate pieces of the speaker to help him reach a new path.

Complete review is here.

Many thanks to Latin America Review of Books editor Gavin O’Toole (who also has a review of Juan Felipe Herrera’s Half the World in Light in this issue) and Francisco Aragón (who reviews Poema by Maurice Kilwein Guevara) for the opportunity to share my thoughts on a book of poetry folks should be reading.

E-interview with Sam Vargas at Letras Latinas blog


Free
Originally uploaded by Mr. Mystery

The Acentos Workshops are starting back up next week and I thought an e-interview with Acentos Workshops Director Sam “Fish” Vargas would help to spread the word and give more insight into the goals of the Workshops.

I also kept thinking about the question Craig Santos Perez has been asking on his blog lately: “so someone tell me why an organization like the ACENTOS FOUNDATION will offer FREE, OPEN TO THE PUBLIC writers’ workshops in the Bronx (with some of the most respected writers around as teachers)”?

Good question. So I went straight to the source for the answer:

YOU HAVE SOME OF THE MOST RESPECTED POET/TEACHERS IN UNITED STATES POETRY ALONGSIDE A DYNAMIC COLLECTION OF UPCOMING WRITERS FACILITATING WORKSHOPS IN POETICS, PERFORMANCE AND POLITICS, ACENTOS COULD CHARGE A MODEST FEE FOR THESE TOP-NOTCH WORKSHOPS BUT INSTEAD MAKES IT ENTIRELY OPEN TO THE PUBLIC. STRAIGHT UP: WHY KEEP IT FREE? WHY NOT CHARGE?

You know that when NYC forgot about Puerto Ricans and minority Latinos in NYC, The Young Lords were born. They got together and MADE things happen. They never charged for the soup kitchens, Hep tests, and general help for their community. I model what Acentos does on much of what our forefathers paved the way for us. We have to make things happen for our community. If my community can’t afford college or a workshop at an absorbent fee, they are still entitled to gain that knowledge. We are getting something back that has no price from the community: hope. We will never ask much from the community but hard work and dedication to the craft. With that, we feel is enough payment to have wonderful work created within the halls of the workshop.

Word. Read the whole interview at Letras Latinas and feel free to comment.

Blogging at Letras Latinas: Voices from VONA

The first of a multi-part e-interview with Chicana writer Vickie Vértiz is live at the Letras Latinas blog:

Oscar Bermeo: It’s the post VONA week, what do you think you’re missing most about the VONA experience?

Vickie Vértiz: I am missing the room where I take writing risks into really dangerous places, imaginary or real, with trust, developed as a result of our faculty and colleagues creating a safe space. “Safe” meaning affirmative, encouraging, through honest, pointed critique. This is space that exists as a result of a shared experience, through a visceral understanding of what life is like for people of color in this country.

Read the complete interview here.

This all comes from a great recorded conversation that went down right after VONA wrapped up a few months back. It’s taken a long minute to go live since I had no idea the art of transcription is no muther-luvin joke and if this conversation hadn’t brought up such great points I may have given up on completely. Good thing I kept at it cuz if you like what you read in this part of the interview, you will love what’s to come.

This is the second interview I’ve conducted at Letras Latinas and one more is on the way. I’m thinking I may have a knack for these things and hope to find some different voices to chat with and see what’s on their horizons.

All thanks really go out to Francisco Aragón for giving me the opportunity to develop these e-interview skills, a great forum to promote them, and the trust to bring in different perspectives to enrich the scope of the Letras Latinas blog. Mil gracias for all this and everything else you do, Francisco.

And these are the breaks…


Time’s Up
Originally uploaded by lautreamax

My father hands me back some pretty good feedback on a six-part poem I’ve sent his way. He says, “Es tiempo de parar soñando y comenzar trabajando.” Palabra, pops.

All this to ponder how long is it going to take me to become real good at poetry. Not, a lil good. Not, that was one nice poem. Not, do you do spoken word? Not, hey can ya make it rhyme for the kids? Not, be sure to get angry and make a point. No, I’m talking really good.

A few months back Claire Light posted on the “10,000 hours” theory. In short, you have to put in 10,000 hours of practice in order to master an art. This also came up at VONA with instructor Steven Barnes, another advocate of the 10,000 hours theory. Barnes was so gung-ho on it that he challenged anyone who thought they were good enough to be a writer to lay it all on the line. Write. Every day. Find what makes you hyper-productive: music, tea, exercise, yoga, whatever, and rush right into it. Enter a hyper-productive zone as soon as possible and jam out as much writing as you can in the 30 mins, one hour, two hours that you can.

Something I have not been doing at all much lately or, to get to the nitty gritty, really at all in my writing life.

I realized this over a guys-day-out jaunt to AT&T Park. During the pre-game tailgate party, I meet a friend-of-a-friend and the subject of my writing comes up. To my surprise, dude is seriously interested and starts asking me a ton of questions about my work. “So what’s your daily routine? How exactly do you write poetry?” And this is where I ended up sounding like one of those quasi-mystic, poetry-is-self-expression pendejos I privately rag on. “Well, I just keep an idea in my head, listen to a lot of language, read what I can, and when the time’s right; I put it down on paper.”

Ok, so three-quarters of that is pretty sound but the last part makes me sound like I should be an extra in the video for Echo and the Bunnymen’s “Killing Moon.”

Yeah, I’m extra harsh on myself today and, quite frankly, I’m pretty harsh all the time. All I keep thinking is I got to read more poetry, study more theory, read more blogs about writing, contact more folks who know how to writer, connect with more authors, and, oh yeah-when fate comes up against my will, write more poems.

Well, maybe it’s time to change tactics a little and go back to the 10,000 hours theory. I know I already have a jump start on this but I’m going to actually start from today and ask this question on the daily: Have I contributed one solid hour to my writing today?

For today the answer is no. Too much day-job work. (Uhmm, can I say how happy I am to just have a job and how lucky I am to have one that lets me contribute to youth education? Yeah. And it’s not fun all the time but that’s why it’s called work and not What I do for fun and get a paycheck for. Nebulous rant: Done.) Where was I? Yeah, too much day work. Too much social media. And too much blogging. Not that I plan to quit blogging since it’s something I actually enjoy. But blogging doesn’t always contribute to my poetry so less blogging. Maybe more critical write-ups, more process, more I Speak of the City, more rough drafts and more edits.

Well, time’s moving on and I mean to catch up with it.

Or, as my father would say, “Less dreaming, more working.”

breaking poems nominated for American Book Award

Good news from the folks at Cypher Books:
Cypher Books is pleased to announce that breaking poems by Suheir Hammad has been nominated for an American Book Award!

Add that to the Arab American Book Award and to the fact that breaking poems and ZaatarDiva has been at the top of Small Press Distribution’s Best Sellers list for the last few months. Nice.

At VONA, Suheir made it a point to thank all everyone for their support in spreading the word about breaking poems and helping a small press with a select few authors keep coming out on top. This despite the fact that Cypher Books runs a very tight operation with little means to promote books other than promising they will continue “publishing today’s most necessary poetry.” It’s a promise that is resulting in true grassroots support and serious award recognition.

So what ya waitin for? Keep spreadin the word, y’all.